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In addition to his permanent collection of timepieces and stained glass, Halim has designated a special space for temporary exhibitions organized collaboratively with other institutions. The museum boasts eight rooms specifically dedicated to the exhibition of international clocks and watches, each organized by their country of origin.
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The majority of Halim’s holdings, however, are comprised of spectacular clocks, which have been impeccably conserved with the help of an on-staff expert in timepiece mechanics. Halim’s collection has been sourced from multiple outlets, including churches, auction houses, and shuttered museums. Explaining the enormous increase in relaxation times of a liquid upon supercooling is essential for understanding the glass transition. As far as Halim is aware, his Time & Glass Museum is the first of its kind in the world, as private collections of such art forms are not often made public.įour of the museum’s galleries showcase Halim’s exquisite stained glass acquisitions, from an $85,000 Louis Comfort Tiffany window portraying Saint John the Divine to glassworks forged by Tiffany’s rival studio, John La Farge. The museum showcases some 80 technicolor works of stained glass and over 1,100 clocks from all over the world across a sprawling five-floor space. Halim’s expansive holdings constitute his eponymous Time & Glass Museum, which opened to the public in the city of Evanston-located just north of Chicago-in the fall of 2017. So he began acquiring discarded window panes from demolished buildings and amassed an impressive collection of not only 19th and 20th century stained glass masterpieces, but also historic clocks and watches. Upon Halim’s arrival in the 1960s, he was awed by America’s sublime churches, but surprised at their neglect-especially that of their magnificent stained glass windows. Property investor Cameel Halim cultivated a fascination with stained glass following his emigration from Egypt to the United States.